hani.elias2000@gmail.com

Audiovisual installation incorporating live webcam streams projected onto plexiglass world map. Collaboration with Lucía Claus, to exhibit at Ars Electronica Festival, Linz.

Interactive installation incorporating webcam streams, field recordings, and audience motion-tracking. Collaboration with Lucía Claus, to exhibit at Ars Electronica Festival, Linz.

Collaboration with Physics Faculty, University of Oxford, to devise a method for translating crystal structures into sound. Presented in various iterations 2021-2025.

Music for two bass guitarists and Max/MSP, including sonified ECG signals of the performers using ESP32 based wearable devices. Premiered at Royal Academy of Music by Chris Diamand and myself.

A solo cello piece with playback, based on data relating to memory consolidation and neuron spike sequence replay. Premiered at Royal Academy of Music by Oona Lowther.

An ASMR-inspired piece for alto flute, bass clarinet, prepared harp and cello (with Ableton Live & M4L). Premiered at Royal Academy of Music by Lydia Walquist, Grace Tanner and CHROMA ensemble.

Audiovisual electroacoustic piece for bass flute, contrabass recorder, Max/MSP & TouchDesigner, based on an aerial view of sheep herding (footage shot by Lior Patel). Premiered at Royal Academy of Music by Sophie Hooper and Lizzie Knatt.

Audiovisual piece for two trios, with animated graphic score controlled live using a PS5 controller. Score made in TouchDesigner, premiered by Rocío Bolaños, Daisy Noton, Elizabete Gulbe, Carys Barnes, Meadow Brooks & Marianne Schofield. Recorded, re-performed and released through OctoberHouse Records.

A set of miniatures for classical guitar, electric bass and Max/MSP, based on Borges’s story The Library of Babel. Premiered at the Royal Academy of Music by Maddie Ashman, Mack Kniese and myself.

A piece for 16 voices and electronics inspired by mycological processes, setting text by Anna Tsing. Workshopped by BBC Singers and premiered at Royal Academy of Music.